The bottom images are art created by my brother, Abrahim Elgindy, off of one of my short stories during his time in Egypt while going through family enforced rehab. Life got in the way for me and we never finished this project before he passed away. The featured image was drawn by Armin and can be found here.
Soon there will be a comic that I will be posting on here that is drawn by other artists, but written by me. In the meantime, I leave you with this quote and some samples:
Drawing gives me the opportunity to truly see. As an artist, I do not casually observe my surroundings nor take them for granted, but rather view the world as a creator and architect of my own artistic vision. I have never been interested in simplification-on the contrary it’s the complexities and how we see them that drives me to spend countless hours on a drawing. This act of drawing enables me to gain insight and understanding of intricate structure, whether it is a human figure, face, an isolated eye or a tempest of trees. Drawing pushes me to examine every aspect of what I see – every pore and hair follicle, every leaf and branch. I become immersed in my observational skills and depict my vision in a way that a casual observer could not.
Once a drawing is complete, it is no longer related merely to the artist, but becomes a starting point for the viewer’s feelings and imagination. This alignment hopefully transcends the ordinary and the overlooked to something approaching the metaphysical and sublime. Photo-realism itself does not interest me in the least; realism does, details and textures do, ultimately seeing what others fail to see, until they see it in my work. When this is achieved, the collaborative relationship between the artist and viewer reaches its climax. Ultimately, and interestingly, the climax is a humble interpretation of the greatness of nature.
“A good “rendering” represents what a person sees, but “a work of art” illuminates what others do not.Drawing gives me the opportunity to truly see. As an artist, I do not casually observe my surroundings nor take them for granted, but rather view the world as a creator and architect of my own artistic vision. I have never been interested in simplification-on the contrary it’s the complexities and how we see them that drives me to spend countless hours on a drawing. This act of drawing enables me to gain insight and understanding of intricate structure, whether it is a human figure, face, an isolated eye or a tempest of trees. Drawing pushes me to examine every aspect of what I see – every pore and hair follicle, every leaf and branch. I become immersed in my observational skills and depict my vision in a way that a casual observer could not.
–Armin Mersmann
Once a drawing is complete, it is no longer related merely to the artist, but becomes a starting point for the viewer’s feelings and imagination. This alignment hopefully transcends the ordinary and the overlooked to something approaching the metaphysical and sublime. Photo-realism itself does not interest me in the least; realism does, details and textures do, ultimately seeing what others fail to see, until they see it in my work. When this is achieved, the collaborative relationship between the artist and viewer reaches its climax. Ultimately, and interestingly, the climax is a humble interpretation of the greatness of nature.
“A good “rendering” represents what a person sees, but “a work of art” illuminates what others do not.“
